The Han Ik-hwan: A Tribute to White Porcelain exhibition focuses on the life and work of Han Ik-hwan (한익환, 韓益煥, 1921–2006), also known by his pen name Sojeong (소정), a ceramicist who is regarded not only as an artist but also as a dedicated researcher and transmitter of Korean ceramic tradition. Through his practice, Han bridged the ideals of Joseon Dynasty white porcelain with modern artistic and technical approaches, shaping a path that has influenced generations of Korean ceramists. Central to his philosophy was the belief that tradition must first be fully mastered before it can be meaningfully reinterpreted. More than simply reproducing historical forms, Han sought to understand the philosophical, material, and technical foundations that gave Joseon ceramics their distinctive clarity and restraint. He believed that true mastery came from deep knowledge of raw materials, particularly native Korean clays and glazes, and from careful study of historical kiln practices.
Han served as the head of the Korean Antique Ceramics Research Center in Yongin, where he devoted decades to researching ancient ceramic shards, kiln sites, and archival sources. He traveled extensively throughout Korea to locate and test traditional clay deposits, convinced that the character of Korean white porcelain was inseparable from the land itself. His own works reflect this philosophy, emphasising balance, purity, and quiet refinement rather than overt decoration.
Recognised both as an artist and a scholar, Han Ik-hwan received multiple awards from the Korean Ceramic Society and gained international recognition, his works are held in major museum collections, including the British Museum. Today, he is remembered as a crucial figure who bridged historical ceramic tradition and modern practice, influencing generations of Korean potters through his insistence on rigorous research, respect for tradition, and thoughtful innovation.
